Banksia Pixels began with banksias my daughter bought for herself, meant for the trip home to Geraldton — then left behind on my kitchen table. Their colour was so intense, so alive, that I couldn't look away. I had to paint them. As I worked, the colours seemed to break apart and pop before my eyes, fracturing into the vivid, pixelated pattern you see here — deep reds and golds igniting against rich greens.
Printed as a museum-quality giclée on off-white, uncoated paper, and set in a responsibly sourced oak or ash frame with a substantial 20mm profile. Ready to hang straight out of the box, hanging kit included.
Banksia Pixels began with banksias my daughter bought for herself, meant for the trip home to Geraldton — then left behind on my kitchen table. Their colour was so intense, so alive, that I couldn't look away. I had to paint them. As I worked, the colours seemed to break apart and pop before my eyes, fracturing into the vivid, pixelated pattern you see here — deep reds and golds igniting against rich greens.
Printed as a museum-quality giclée on off-white, uncoated paper, and set in a responsibly sourced oak or ash frame with a substantial 20mm profile. Ready to hang straight out of the box, hanging kit included.